United States and United Kingdom Ratify Reciprocity Agreement for Architects

The National Council of Architectural Registration Boards (NCARB)’s Member Boards have passed a resolution ratifying a new Mutual Recognition Agreement with the United Kingdom’s Architects Registration Board (ARB), expanding the reach of U.S. architects.

Please click HERE to read more about the move towards reciprocity from the NCARB website.

The Architects Registration Board (ARB) has reached an important milestone in the process that will help UK registered architects seek registration in the USA, and vice versa. 

Please click HERE to read more about reciprocity from the ARB website.

AIA UK Members Attend Roca Gallery Opening

Guests enjoy Roca Gallery’s hospitality among prominent displays of Zaha Hadid’s innovative designs.

On the 24 May 2022, the AIA UK Chapter sponsor Roca held a reception at their London Showroom to celebrate the opening of their major new exhibition entitled Everything Flows – Zaha Hadid Design Exhibition.  A large crowd of over 150 attendees, including a number of AIA UK members, had the opportunity to see key objects developed by Zaha Hadid Design over the last 15 years.

A wide variety of objects have been expertly displayed in the Roca Showroom Gallery, which was also designed by Zaha Hadid Architects.  Among the objects displayed were pioneering designs ranging from fashion and jewellery to home accessories, as well as furniture, carpets, and lighting.  The objects date back to the founding of the design practice in 2006 and are brought up to the present with a collection of elegant wooden furniture made with Japanese brand Karimoku.

As well as collaboration with Karimoku, Zaha Hadid worked with other design companies, including Lalique.

Cultural Programme Manager for Roca, Saoirse Walsh, says, “It has always felt like a deep privilege to work within the unique, organic spaces of our Zaha Hadid showroom.  Zaha Hadid Design is constantly pushing the boundaries of material and form and this exhibition will help reaffirm just how radical an innovator Zaha was and how her ideas and spirit live on through her practice.”

This important exhibition will be in place until the 22nd of December.  It is well worth a visit to Imperial Wharf, and our friends at Roca will be happy to see you and show you around their amazing showroom and gallery.  

Our short slide show includes more Zaha designs plus images of AIA UK attendees -  past presidents Stephen Reinke, Lorraine King and Michael Lischer; newer board members Celia Fiallos and Martin Varela Vivona; as well as long standing member Pierre Baillargeon. 

Written by Michael Lischer, FAIA

EMERGING PROFESSIONALS MEET THEIR MENTORS

Rosa Rogina and her mentees met in the relaxed atmosphere of AIA Sponsor, Herman Miller’s London Showroom.

For a young single person in an unfamiliar city, launching a career in architecture can be incredibly challenging. Few of us succeed without help. Like many other 20-somethings moving to London in 2014, I needed mutual support. This is where the story of Speed Networking begins.

The AIA UK was not what I initially had in mind for a community of peers. Indeed, when I joined the chapter there were only a couple of members under the age of thirty-five. What most would call a gap in age, experience, and interests looked to my young self like an insurmountable chasm.

Despite the intimidating lack of youth, I knew to appreciate the role that the AIA had to play in my future. This belief came to me from an architect I admired – the only person ever, in fact, who directly encouraged me to get licensed. The advice reflected her own experiences at a time when she was striving to gain wider respect for her work. It was a sharp foresight into my own future.

This mentor is the reason I decided to attend the earlier rendition of Speed Networking in 2015. The event was advertised as a mentorship “one-on-one.” It was a pivotal moment for me, as I was able to make my first professional connections in London. Since then, mentorship has improved my career in countless ways, and became an experience I increasingly wished to share.

Fast forward to 2022 – my first year serving on the AIA UK Board as chair of Emerging Professionals. Naturally, reviving the Speed Networking event after a 7-year hiatus was one of my first priorities for the year. I am proud to report that last Thursday, Speed Networking returned with fanfare at its original home in the London Herman Miller showroom.

Overseeing the evening was Michael Lischer, whom I met at the original 2015 event. Also attending from AIA UK were Martín Varela Vivona and social media coordinator Celia Fiallos, who streamed the evening on Instagram Live to an audience of followers.

Attendees and mentors alike were welcomed by music, food, and drinks before dispersing into small groups to begin the Speed Networking activity. Each group was given approximately 5 minutes to converse with a mentor who was seated at an assigned location throughout the showroom. These discussions had to take place rather quickly, however, since groups were required to switch mentors before the start of the next interval.

Mentors on the night. From left to right: Carlos Luis Gómez Gonzalez, Cristina Sánchez Jiménez, Armor Gutiérrez Rivas, Rosa Rogina, Andy Watts, Rachel Hoolahan, and Ricardo Sosa-Mejia.

It was a rush to keep up with the unnatural pace. Rosa Rogina (London Festival of Architecture) and Ricardo Sosa-Mejia (Heatherwick Studio) were among the mentors who warranted more time for discussion. Rosa’s curatorial range includes the Venice Biennale and Vienna Design Week, while Ricardo is design lead on a multitude of R+D projects, some in association with Google. Though it is impossible to package these experiences into five-minute time slots, both did their best to break the ice and ensure that everyone present got their share of face-to-face conversation.

One mentor prepared for the face-to-face aspect in a most fitting way: Carlos Luis Gómez Gonzalez (Foster+Partners) brought a tablet device along to the event to demonstrate the latest projects and visualization work produced by his team. The added visual element captivated his eager audience, as did the presenter himself. Carlos recently received a promotion to Partner at his firm, an achievement which I announced and congratulated at the start of the event.

On the opposite side of the room, Rachel Hoolahan (Orms), Andy Watts (Grimshaw), and Cristina Sánchez Jiménez (Lendlease) focused their discussions on the technology and sustainability aspects of design practice. Rachel – recipient of the 2021 AJ100 Sustainability Champion Award – seemed to share my appreciation for mentorship and delivered sincere and reliable advice to every group.

A few paces away, Cristina met with attendees in a private conference room. Her current role as BIM Manager at a global real estate company left everyone with a keen sense of architecture’s ongoing advances in construction and technology. These advances are likely the same reason her neighbour, Andy Watts, was overheard being enthusiastically described as a “genius.” His work spearheading the implementation of computational design, BIM, virtual and augmented reality technology, data-driven intelligence, and DfMA certainly deserves such a compliment.

Armor Gutiérrez Rivas (UEL, Atelier la Juntana) followed Andy and Cristina with his own unique background in design and creative fabrication. Having worked previously at BIG, MVRDV, and KPF, he also took on a role as BIM project architect and even achieved BREEAM Outstanding on the recently completed One Bank Street in Canary Wharf. He now works full-time at the University of East London and runs Atelier la Juntana, a modelmaking and fabrication workshop he co-founded in 2015.

Small groups encouraged individual attention. Pictured: Carlos Luis Gómez Gonzalez (left) and Ricardo Sosa-Mejia (right).

As I moved around the showroom that evening to take photos and keep time, my attention soon shifted from the mentors to the attendees. They were a diverse, energetic, and ambitious bunch who reminded me very much of myself. Some of them were friends and colleagues. Others were people I’d met briefly in previous years, and still others were new faces I had hoped to get to know better.

Unfortunately, there was not enough time for that – and even when we ran over by hour, I was already getting questions about when the next event would be. I had thought nothing could be more satisfying to an event organizer than having people show up. I was wrong – it was even more satisfying to see people taking part in earnest. I realized that Speed Networking had finally come full circle to become what I always believed it could be.

Written by Adelina Koleva, AIA

Beale & Co Begins New Webinar Series

Long-time chapter sponsor, Beale & Co, continue their very informative series of lunchtime webinars.  This series began on December 2nd with an update on the new Building Safety Bill.  More recently, on the 19th of May, the webinar addressed the recent sanctions against Russia.

Building Safety Bill - The Building Safety Bill, published in July 2020, proposes significant changes to the responsibilities architects must shoulder when involved in projects in the UK.  The Bill was introduced as a result of the shortcomings uncovered in the Grenfell Tower enquiry, specifically the Hackitt Report.  The Bill imposes a more onerous regime on high risk buildings during their design and construction, and during their occupancy.  High risk buildings are those over 18 metres tall or with 7 or more storeys.  

A new layer of government oversight and bureaucracy is created by the establishment of the Building Safety Regulator.  This position has enforcement and prosecution powers to ensure the procedures established by the Bill are enforced.  The Bill establishes the principle of Duty Holder.  This nominates people that will be responsible for and manage the risks throughout the entire design, construction, and occupancy phases of a project.  This includes the Principal Designer role who will be responsible for ensuring the provisions of the Bill are complied with during design.  

The Bill also extends the period for claims against designers from 6 to 15 years.  Although, consideration is being given to increasing this to 30 years! The responsibilities described in the Bill are quite onerous.  Additional time and expertise will be required to fulfil the duties.  This will have an impact on design fees and the costs associated with PI insurance.

The Bill is expected to achieve Royal Consent later this year.

 Russian Sanctions, Your Questions Answered – Sanctions are increasingly being used to coerce rogue regimes into a change of behaviour and to signal disapproval.  The issue is further complicated when different governments impose different sanctions on the same regime.  This is the case with the recent Russian sanctions, and this can create problems for large global practices with offices in a number of different countries.

The first step is for design professionals to determine if their client is on a sanctions list.  This can be harder than it sounds!  The problem can be exacerbated because the architect may not know who the ultimate owner or beneficiary is of a particular project.  It is important to understand this as the penalties for noncompliance can be significant, including seven year jail sentences in the UK.

Several case studies were presented and frankly, the whole issue of sanctions is a confusing mess!  In some cases, a force majeure clause may literally, get you out of jail.  This will depend, however, on the wording of the clause in your contract and “standard” clauses may not be sufficient.

Undertaking work in locations where sanctions are in place is not for the faint of heart.  It may be entirely legal, but you need a good lawyer to confirm your contract is in compliance and adequate for the task.  This seems like a real problem for those of us working overseas and caution is advised!

We are looking forward to more useful and informative lunchtime webinars from our friends at Beale & Co.  They are a great way to earn a learning unit over lunch and gain knowledge that can keep you out of trouble with your projects.

Written by: Michael Lischer, FAIA

AIA CONTINENTAL EUROPE SPRING 2022 CONFERENCE / Porto – Transitions

Photo Credit; R D Reber AIA

This year’s AIA Continental Europe’s Spring Conference held in Porto, Portugal, 22-25 April, re-activated - after the unwelcome hiatus of the last two Covid-blighted years – that Chapter’s long tradition of successful, semi-annual events. If you are not aware of AIA CE’s conferences but are looking for a user-friendly way to earn significant Continuing Education credits while indulging in a European city break, look them up on AIA CE’s website HERE. These international conferences are a bargain, and AIA UK members are always welcomed.

Porto – like so many other cities – has had municipal challenges facing up to 21st century demands.  This conference concentrated on ‘transitions’ toward the future via dynamic, often times iconic new structures.  Rest assured, however, the hilly, winding, divinely chaotic charm of the UNESCO listed city still retains its essential character – apparently without undue trauma or destruction - as it slowly transforms itself.  

Continental Chapter conferences follow a loose format of city tours, lectures, panel discussions, video presentations and building tours - all intermixed with frequent breaks for social networking.  A few of the sites visited are highlighted in the list below; others are included in the slide show at the end of the article. 

• School of Architecture (Álvaro Siza Viera)

• Guided tour of the Casa da Música (Rem Koolhaas – OMA)                                                                                                

The ‘shoe box’ concert hall – which encourages the best acoustics - was surrounded by a series of individual spaces of varying temperaments – from traditional to psychedelic. Many of the attendees were enthralled by this rectilinear building, while a few gave it a cool reception. In either case, it made a dramatic setting for the conference sit-down dinner, enjoyed by all.

Photo Credit: Casa Música from OMA Website

• Outside view of the Casa de Chá da Boa Nova (Álvaro Siza Vieira)

• Guided tour of the Ilha da Bela Vista site (the Cerejeira Fontes brothers)

The Ilhas are ‘islands’ of worker’s housing within traditional neighbourhoods. Often lacking basic amenities, they have been falling out of favour with locals and city planners. The architects successfully re-built Bela Vista after detailed and constructive interaction with the tenants.  Tenants – several allowed access to their interiors - and attendees alike fully approved of the re-designed houses, including simple features such as the outdoor blinds and work benches.

Photo Credit: Ilha da Bela Vista by Lorraine King, AIA

• Guided tour of the Leixões Cruise Ship Terminal (Luís Pedro Silva)

Surprisingly, those attendees who had been enthralled with the rectilinear Casa Música were not necessarily the same ones enamoured of the curvilinear Terminal and its textured surfaces.  Both iconic projects provoked mixed, but basically positive reactions.  The circular plan worked well as a cruise ship terminal; less well for the marine research laboratories shoehorned in after the original retail brief was changed. 

Photo Credit: Leixões Cruise Ship Terminal by Lorraine King, AIA

• Presentation and outside view of Vodafone Porto Headquarters (Barbosa & Guimarães)

This building’s structural façade managed to be curvilinear – well, facetted at least - and rectilinear at the same time but it did not engender as strong an emotion as the earlier icons.  Unfortunately, access  to the interiors for a more intimate inspection was not possible on a Sunday morning

Photo Credit: Barbosa Guimaraes Website.

• Tour and presentation of the Serralves Museum of Contemporary Art (Alvaro Siza Vieira), the Manuel de Oliveira's House of Cinema, the Treetop Walk, Serralves Villa and Gardens.

• Walking tour through the Passadiço das Ondas seaside promenade (Solá Morales) up to the Passeio Alegre Gardens

• Guided tour of the Museu Côa Parque (Camilo Rebelo|Tiago Pimentel)

Replete with acute angles at every possible turning, the museum was built, not to sit on top of the site nor buried under it (as museums of prehistoric art  – ‘caveman art’ - often are), but to sit – unpretentiously - within the site. The attendees on the Monday Extension day relaxed over a long lunch with vistas over the Douro valley wine growing region as a constant reminder of the world heritage landscape.  

Photo Credit: Lorraine King AIA

• Guided tour of the (Pocinho's Centre for High Performance Rowing (Álvaro Fernandes Andrade)

This building was neither curvilinear or rectilinear, just linear - which at first stumped the attendees as they negotiated the seemingly endless connecting corridor between the admin and training/residential elements of this acclaimed sports centre.  But it became apparent that the shape was in fact well adapted to the hillside location, giving the superbly maintained building an unobtrusive low profile.

Photo Credit: Pocinho Centre Website

Photo Credit: R D Reber AIA

The next Continental Europe conference will be held between 29 Sep to 2 Oct in London – a conference being jointly organised by the AIA CE and UK Chapters along with support from the International Region.   More information will be forthcoming in future communications. 

The slideshow pictures below were taken by attendees Lorraine King AIA and R D Reber AIA.  They offer a mere tantalising glimpse of conference sites and city views.

Written by: Lorraine King, AIA

Virtual Building Tour – Freeholders

While the AIA’s 2022 Building Tour Series kicked off with a well-attended, in person event in February, we were back to touring virtually in March due to the location of the building. On 10 March, the UK AIA Chapter ‘visited’ Freeholders, a new home on the harbour of Wells-next-the-Sea, in North Norfolk, and winner of the 2021 AIA Design Excellence Award, Small Projects, Special Commendation. 

Meredith Bowles, founding Director of Mole Architects Ltd., led an engaging tour of the Freeholders. During the tour, it was evident that Mole Architects had a significant understanding of the local context and regional history. Meredith talked about East Anglia with passion, categorising it as coastal, with extensive rivers and tributaries deeply connecting it to the rest of the world when seafaring was the primary mode of transport.  However, he recognised that as more modern transport diminished the importance of river transport, the region became a less important commercial destination, and today there is no longer tangible development or economic activity in the area  derived from the sea. As a result, it appears to be a place that stands still, having “stopped at the end of its very rich medieval history”. 

Meredith attributed the lack of economic activity and industry in the area as the reason each part of East Anglia has its own very particular qualities.  The North coast is characterised by a ring of fishermen’s towns, using local traditions and materials, and creating the numerous and varied streetscapes which have evolved over time - a tradition still honoured today. “Brick and flint, lime wash, the black-painted pantiles, the use of them is extraordinarily consistent,” reflected Meredith. The respect for those traditions is clearly embedded in the execution of the Freeholders House but in a contemporary and respectful way.

Built on the site of a pub called the Freeholders Arms, which provides the house its name, the two-bedroom home is designed for family gatherings as well as a holiday rental. Permission to build on the site was dependent on the new house responding to the conservation area.  All living areas are positioned at first floor level to mitigate the risk of flooding since the property is adjacent to the sea.

To respect the local contextual setting, Mole Architects broke up the building into three connected blocks. This reduced the mass of the building to a scale that mimics the multiple, unplanned additions that are characteristic in this part of the town. One of the volumes is a white-painted flint and brickwork block with timber infill. This is offset by a slimmer Corten-clad volume, both facing the seafront. The third volume is a grey-painted render behind the other two. The original design proposed a white, black and red trio, however, community planners insisted that the “black” volume change the colour to grey, despite the local tradition of using black.

Due to the restrictions on its space and the danger of flooding, the ground floor contains a workshop and storage for a boat which opens out onto the quay. The residential entrance, tucked around the side, opens into a stairwell to the living spaces above. The two front sections contain the open plan living space and main bedroom, both with panoramic views of the sea.  The physical positions of the living spaces, with their volumetric expression and minimalist material selections, provide tranquil spaces for both internal and external reflection.

The roof of each building mass responds to the position and materiality of each block; the white building mass is topped with clay pantiles; the grey mass with zinc panels and the Corten building mass with corrugated steel. The three roofs meet at the centre of the footprint, resulting in a small roof terrace, which is described as providing an "unusual viewpoint of the roofscape of Wells, as well as a sheltered outdoor space to enjoy the sea."

The AIA UK Chapter will continue to host a combination of live and virtual buildings tours throughout the year, offering architects the opportunity to visit notable buildings that have particular design interests in the UK and abroad.

Written by Gregory Fonseca, AIA