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Bike Tour 2015 - "Romney Marsh; Varied Landscapes and Architecture"

Fiona Mckay

As part of its continuing education programme, the AIA requires all members to complete at least four hours of sustainable design each year. The educational objectives for sustainable design are further parceled into ten broad categories. 

Conveniently, the second sustainable design category makes the enlightened point that “sustainable design values the unique cultural and natural character of a given region” – sentiments that the Bicycle Tour played to its distinct advantage in this year’s visit.  Within our 40 mile tour, Romney Marsh, Dungeness and St Mary’s 

Bay exhibited man’s multiple responses to the natural environment over centuries of habitation.  What better way to experience this particular unique region - in depth and up close - than by bicycle? 

The Tour started in the small town of Rye, which was once one of the medieval Cinque Ports.  However, when its harbour silted up centuries ago, it settled into life as a sleepy enclave and thereby managed to retain its unique mixture of early architecture styles in lieu of progress.

Time spent in Rye also gave the opportunity for a short – very short - sketching session in the churchyard, overlooking the distant, yet to be visited Marsh. Certainly the most finished of the sketches (see below) was 

that of tour guide, architect and architecture historian, Benedict O’Looney, who came prepared as an experienced architectural observer with his set of portable water colours.

Below, Adam Draper (Seth Stein Architects) focused on the window detail as he managed to pencil sketch while standing up. Chris Kimball AIA (SOM) dashed off an ink sketch that captured the spirit of Rye’s church as well as the relaxing cycles in the foreground.  While not exactly prime examples of their craft, their quick sketches give a hint of deeper potential and act as souvenirs of the tour.

After Rye, the real biking started in earnest as we proceeded via the sleepy rural villages of Brookland and Lydd to view the Marsh’s legacy of vernacular architecture and the majestic, medieval churches that were built in those more prosperous times when the famous Romney sheep brought wealth to the area.  Given this settled, quintessentially English landscape, it was a shock to discover that the Marsh is a totally man-made environment, requiring constant vigilance against both sea and military incursions.  Land reclamation in the area has been ongoing since at least the 12th century and continues to this day with newly built modern sea defences along the coastline. Martello Towers, circular fortifications against the potential of a French invasion in Napoleonic time, dot the coast between New Romney and Hythe.  At one point, a remnant of one of the Mulberry harbour wall defences manufactured for D-Day lay abandoned off the shore.

Whatever the reasons they were developed, the flat, sheltered landscapes and the long sweeps of concrete sea walls now make for ideal biking.  Although the day was sunny and dry, the constant, intense wind – fortunately more or less in our favour – seemed to keep the rest of the world away, and the ride in lingering daylight to 

Folkestone along the strangely depopulated corniche was both timeless and surreal.  This was biking at its best.

However, this Bicycle Tour was advertised to include “varied landscapes and architecture” and – accordingly - it was not all undertaken in idyllic English countryside.  Perhaps the highlight of the Tour was the mid-way stopover in Dungeness, the UK’s only official desert.  As expected of a desert, Dungeness is flat, dry and barren – a vast expanse of unremitting, shingle beach - but it is also the setting for a variety of experimental designs. Within a small area were a few well known examples: Simon Condor’s Black Rubber House (2004 AIA Design Award); Nord Architecture’s Shingle House; and Derek Jarman’s Garden.

Although superficially similar in the photos, the black rubber and black shingle houses (in the picture below, architect Rodic Davidson’s house) represent different approaches to material selection.  The black rubber house showed the effects of the harsh environment, with sun and salt collaborating in their hostility, whereas the recent wood house still retained a pristine sharpness.

The highlight of the Tour was the visit to the Experimental Station, winner of the 2013 AIA Design Award, where we were given a special tour by architect Brian Johnson, whose practice, Johnson Naylor, in collaboration with 51% Studios, developed the site through refurbishment of existing utilitarian structures and new builds.

In the middle of Dungeness’s stark, un-English and almost unreal landscape – with its scattered array of fishing net frames; abandoned foghorn testing rigs; derelict fishing boats; kitsch holiday bungalows and caravans; superfluous lighthouses; and the omnipresent, looming (if not threatening) nuclear power station – a group of architects has created a little haven of modern design.   

The Experimental Station is also home to a superb collection of modern furniture and artifacts, a place of quiet contemplation in contrast to the intense wind and sun outdoors.

The Bike Tour participants earned 4 CEU for the day’s efforts. The possibility of a late summer/early fall Bike and Sketching Trip within London is under consideration.

Author: Lorraine King

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THE WHITE BUILDING / CRATE BREWERY TOUR

Fiona Mckay

On April 9th 2015 AIA UK continued our tradition of fun and educational events with a special edition of our on-going series of building tours.

The White Building, by David Kohn Architects, is a centre for art technology and sustainability.  It is an incubator for discursive and innovative thought.  It serves as a testing ground and creative laboratory for artists and creative whose work engages with technology.  It is also the home of craft brewery CRATE. The White Building was commissioned by the London Legacy Development Corporation as part of the “Olympic Fringe” – a string of small-scale projects aimed at stitching the Olympic Park into the surrounding city fabric.  

David Kohn was on hand to give us an introduction and a tour of the arts facilities and events places.  The brewery bar, occupying most of the ground floor, is build of exposed blockwork walls and steel-framed windows and was intended to act as a focal hub – to feel like a courtyard that connected to the adjacent canalside.  The arts spaces upstairs are dominated by the undulating ceiling of sheep’s wool stuffed into large red nets – crating a distinctive interior with excellent thermal and acoustic performance.  David explained that with such a tight budget it was essential to strip the design to the minimum. 

Following that James Kellow from Crate Brewery took the group on a tour of the “brew shed” and gave a presentation on craft brewing - explaining in detail the subtleties of the different beers on hand to sample as well as the process of making.  After many samples, including some direct from the giant tanks, the tour concluded with pizza and more beer back in the brewery bar. 

For those who missed it you can petition the AIA UK board to make it a regular annual feature on the calendar. Both James and David would be happy to accommodate us again.

Author: Robert Rhodes

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TURNMILL BUILDING TOUR

Fiona Mckay

Matti Lampila from Piercy&Co lead a wonderful tour of the Turnmill building in Farringdon, which recently reached PC and is now undergoing tenant fit out. Matti's discussions throughout the tour covered a range of topics from the buildings long planning journey to the iconic Roman bricks.

Everyone greatly enjoyed learning more about this new architectural addition to London and especially enjoyed the wonderful views over the city from its rooftop terrace. 

Author: Brianne Hamilton

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CDM 2015 – LEGAL PITFALL OR BUSINESS OPPORTUNITY FOR ARCHITECTS? - BEALE & COMPANY

Fiona Mckay

The Construction (Design and Management) Regulations 2015 (“CDM 2015”) came into force on 6 April 2015, replacing the Construction (Design and Management) Regulations 2007. The new regulations have a significant impact on how health and safety risks must be managed on construction projects in Great Britain, particularly in relation to design.  

All architects working on projects in Great Britain have a legal duty to be familiar with the new regulations and fulfil the legal obligations.  

  • Came into force on 6 April 2015 
  • Replaced CDM Co-ordinator role with new Principal Designer role 
  • Principal Designers should carefully consider their form of appointment 
  • New notification threshold 
  • Domestic client exemption removed 
  • Withdrawal of current ACOP 

Under the CDM Regulations 2015 the CDM Co-ordinator role is replaced with a new role of Principal Designer. A Principal Designer must be appointed where there is more than one contractor or sub-contractor working on the project at the same time.  Furthermore, the Principal Designer must be a designer with control over the pre-construction phase.  Therefore, the appointment will come from within the project team at the pre-construction stage rather than a third party specialist, as was often the case with the CDM Co-ordinator. 

The Principal Designer manages and co-ordinates during the pre-construction phase to ensure, so far as is reasonably practicable, that the project is carried out without risks to health and safety.  The duties of a principal designer under the new regulations are potentially onerous, including ensuring that all other designers comply with their duties!

AIA UK sponsor, Beale & Company, produced a briefing note for AIA members, which can be found here. In addition, AIA members interested in finding out more about CDM 2015 can also listen to this webinar held recently by Beale & Company.

If you have any initial queries in relation to CDM 2015 call the AIA UK Legal Helpline on (+44) 020 7469 0400.  

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BOB SCHMIDT MOVES TO USA

Fiona Mckay

On the 7th of July chapter members gathered to say goodbye to Bob Schmidt and wish him well as he retires back to his hometown of Chicago.  Bob is a founding member of the AIA UK and a past president.  He worked as a planner and moved to England with SOM in the late 1980s to work on Canary Wharf.  Bob retired from Halcrow’s planning practice earlier this year and is already enjoying life back in the Windy City.  

We wish him a happy and relaxing retirement!

L to R: Robert Rhodes, Harry Goforth, Bob Schmidt, Michael Lischer, Lorraine King, Lester Korzilius, R.D Reber

L to R: Robert Rhodes, Harry Goforth, Bob Schmidt, Michael Lischer, Lorraine King, Lester Korzilius, R.D Reber

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SPONSOR PROFILE: DESSO

Fiona Mckay

The Desso Group focuses primarily on superior floor design and Cradle to Cradle® in providing high quality carpet tiles and broadloom.  Its commercial product offering, business carpets, represents more than half of total sales and can be found in offices, banks, retail units, public buildings, schools, universities and care centres.

Desso's innovation strategy is concentrated in 3 key areas: Creativity, Functionality and Cradle to Cradle®. For Desso, creativity is synonymous with CARPETECTURE®, which is a powerful example of Desso's commitment to creative carpet design and its dedication to meet the needs of architects, interior designers, building owners and end users.  In the field of functionality, Desso develops pioneering solutions that make a difference for health and wellbeing.  As a result of this innovation and creativity strategy, Desso has launched a number of patented products like DESSO AirMaster®, for 8 times lower fine-dust concentration in the air (versus hard floors), and DESSO EcoBase®, which enabled Desso to achieve a Cradle to Cradle® silver certificate for an entire carpet tile product.

Desso's creative carpet design and service oriented approach has enabled Desso to become a leader in developing solutions for the Hospitality, Marine and Aviation (HMA) markets. Desso's HMA division works with companies such as Hilton, Intercontinental, Maritime, KLM, China Airlines, Royal Caribbean Cruise Lines and Holland America Line.

Desso Sports is a leading player in the provision of artificial turf for sports fields and hybrid natural grass systems that provide the perfect playing surface at every level of sport. DESSO GrassMaster® is a high-tech hybrid sports field of 100% natural grass reinforced with Desso synthetic grass fibres, which has been installed in two Euro 2012 stadiums and at the 'football temple' Wembley.

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