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Filtering by Tag: Continental Europe

CONTINENTAL EUROPE MADRID 2025 CONFERENCE / Reimagining Madrid

Fiona Mckay

Madrid as seen from the IE University Tower, School of Architecture.  Photo Credit:  L King AIA

Veteran AIA UK Members are by now fully aware that AIA Continental Europe’s biannual conferences offer excellent opportunities for travel, camaraderie and architectural adventure (as well as abundant Continuing Education Units!).  Indeed, many UK members attended the joint AIA UK/AIA CE Conference in Cork last Spring and are now thoroughly familiar with CE’s basic format of lectures and tours generously interspersed with fun and food.  

However, conference attendance should not be written off as a seen-one-seen-them-all experience.   This year’s Madrid Conference offered an altogether distinctive atmosphere from Cork and no doubt Berlin will also highlight its own distinctive atmosphere in Spring 2026.   AIA UK members are urged to take every opportunity to visit European cities via AIA CE’s expertise.  Learn more about AIA CE’s past and future events HERE.

Instead of using a fixed conference venue for a series of pertinent lectures as have other CE conferences, the Madrid organisers engaged two enthusiastic, peripatetic architects to explain the city.  Werner Durrer and Ivan de Alma shared their knowledge of Madrid through on-the-spot, in-person storytelling against a living backdrop. 

Beginning with a clean map, Werner’s hand-drawn annotations gradually traced Madrid’s growth through the centuries as the conference moved across the city.  This novel approach gave conference attendees a sense of intimacy as they celebrated Madrid’s amazing neighbourhoods and distinctive buildings.  
The brief outline below touches on highlights only of the conference.  A fuller, more detailed itinerary with dates can be found HERE.  A speaker list can be found HERE. A Google Map overview of the city can be found HERE.


Friday, 16 October  The first day was one of initial discovery of Madrid’s traditional architecture interspersed with unusual interventions.  It began early with a pre-opening-hours tour of the Escuelas Pías Library and a discussion about the urban regeneration of the Lavapiés neighbourhood. 

Escuelas Pias Library and Lavapiés housing.  Photo Credits (left to right):  RD Reber AIA and L King AIA.

The church, destroyed during the Spanish Civil War, remained in ruins until 2004 when it was converted into a spectacular library.  The new plaza in front of the church exposed the courtyard façade of a traditional building block, offering insight into the city’s basic housing form.  

A walking tour through the historic core of Madrid began at the Royal Palace and continued to the Plaza Mayor.  Along the way, the group admired the mix of Arabic and Spanish architectural influences, characterised by grey granite and red brick facades.  Side visits included the recently renovated Iván de Vargas Library and the Mercado San Miguel.  
As the group progressed toward the Gran Vía, the architecture morphed from the 16th Century to more modern times, culminating with several grand buildings from the early 20th Century clustered around the Plaza de Cibeles.  Lunch was provided at the Azotea restaurant atop the Círculo de Bellas Artes building, with fantastic views over the city.

The view from the Azotea Restaurant.  Photo Credit:  RD Reber AIA

After lunch, the group visited the Joaquín Leguina Regional Library and Archive in the former El Águila brewery, followed by a thought provoking roundtable at AECOM’s Madrid office titled ‘Reimagining Madrid’. The day concluded with a lively and generous cocktail reception on AECOM’s rooftop terrace.

Saturday, 17 October  The 2nd day was again packed with contrasting sights of traditional cityscapes and modern buildings.  The tour started at the Plaza de España with an explanation of how the plaza – with its landscaped gardens and memorials – sits over tunnels that were only recently constructed to contain Madrid’s highway system underground. 

It then transversed the city by bus to chart urban development since the 19th century.  Modern interventions within traditional contexts included the Museo ABC, the Mercado de Barceló, and the BBVA Tower.

The striking Corten façade of the BBVA Tower contrasts with the geometric shapes of the Museo ABC.  Photo Credits:  L King AIA

Away from the central Madrid, the bus travelled far north to visit the Cuatro Torres business park with its quartet of high-rise buildings that have become a city landmark.  A tour of the IE University Tower showed how it had been designed to incorporate an unexpected “vertical campus” for their School of Architecture.  IE’s faculty gave an absorbing lecture on contemporary Madrid planning issues, ‘The Profound Transformation of Madrid,’ outlining the ambitious plans – including a high speed rail terminal - for the immediate neighbourhood. 

After lunch at the IE Tower, the bus returned past other notable buildings, including the bizarrely leaning KIO Towers and the Santiago Bernabéu football stadium.  A stop at the 1930s Hipódromo de la Zarzuela revealed a spectacularly thin, cantilevered concrete roof over the racetrack’s grandstands.

The day’s touring finished on foot with a guided tour of the Madrid Río Park, a monumental infrastructure and landscape project, in which miles of busy roads were relocated to tunnels adjacent to and under Madrid’s Manzanares river.  The landscape architect who led the team, Christian Dobrick of West 8, explained how the project - which involved multiple contractors and government departments - was completed in record time under intense political pressure.  

Keeping with the long-standing AIA CE tradition of Saturday night conference dinners, cocktails and dinner were enjoyed at the Posada de la Villa, a restaurant in the old town whose on-view, speciality oven - if not the whole building – dated back to 1642. 

Sunday, 18 October  The third day returned to central Madrid for a visit to the very modern interior spaces of the National Archaeological Museum, where the architect who oversaw the renovations, Jorge Rodriguez, led a tour highlighting how the design team and museum staff worked together to enhance the exhibits.

The group enjoyed a coffee break in the beautiful Retiro Park before proceeding to the 1949 Rationalist masterpiece, the Ministry of Health building, and the Reina Sofía Museum of Modern and Contemporary Art.  Lunch was held on the top floor of Herzog & de Meuron’s Caixa Forum, which appears to defy gravity while simultaneously supporting a ‘vertical garden’.

Defying gravity at the Caixa Forum.  Photo Credit:  RD Reber AIA

Monday, 20 October  The traditional Extension Day for those able to stay in Madrid longer focused on Segovia and its breathtaking Roman Aqueduct before touring IE’s newly expanded ‘Creative Campus’ housed in a sensitively renovated medieval

The Segovia viaduct and IE’s ‘Creative Campus.  Photo Credits:  RD Reber AIA

No conference could finish without another fabulous meal, so the group proceeded to the renowned Mesón de José María restaurant, where they took part in the ceremonial carving of a suckling pig, which involves using the edge of a plate, rather than a knife, to demonstrate how tender the meat is.  It was joyous conclusion to a fabulous conference!

The 2025 Madrid Conference was well organised - a conference without a hitch!!! - by Sophia Gruzdys AIA.  Irene Reidy – CE’s Chapter Administrator - managed the administration with volunteer help from her partner, Liam Quinn.  

Corporate partners for the conference included: 

Roca/Laufen, panoramah!, IE University School of Architecture and Design, AECOM, Miller Knoll and Frener Reifer.

Sophia Gruzdys AIA and Irene Reidy on the job.  Liam Quinn consulting with an anonymous helper re tour headsets.

Written by L King, AIA and RD Reber, AIA

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Continental Europe’s 5-8 May 2017 Conference: Treasures of the French Riviera

Fiona Mckay

Last October, the AIA Continental Chapter held its bi-annual conference in North Cyprus.  This May, it followed up the Mediterranean theme with a conference in the south of France – but, from the start, the country differences could not have been more evident.  Even the economy bus from Nice airport to Menton could not avoid the glamorous French coastline, teeming with residences and hotels of all sizes and styles from the merely functional to the Grimaldi inspired. Tourists thronged the streets of Monaco as it prepared for its upcoming Grand Prix.   The Mediterranean simply sparkled while millionaire yachts bobbed about and looked bemused by all the fuss. 

So what - amongst all this hustle and bustle - had Continental selected as its own particular take on “Treasures of the French Riviera”? Well, Menton itself for a start.  Nicknamed the "Pearl of France", it proved a quieter, gentler antidote to Monaco with  an historic old town reached by steep stairs and a long line of accessible beaches.  Its modern building of note - the Cocteau Museum (architect Rudy Ricciotti) – hosted the opening reception. 

Menton welcomes the AIA at the Cocteau Museum – Photo: Lorraine King, AIA

Menton welcomes the AIA at the Cocteau Museum – Photo: Lorraine King, AIA

The first full day of the conference was devoted to Cap Modern and Eileen Gray’s modern Villa E-1027 (familiar to followers of the UK Chapter’s movie nights from its showing of “Price of Desire” last year).  Attendees were lectured on the history, significance and renovation works at Cap Modern and given a private tour of Villa E-1027 plus Le Corbusier’s nearby “cabanon”, work hut and holiday cottages.   Despite the cold and wet weather (that promise of the sparkling Mediterranean not having held up overnight) the site with its memories of past personalities could not help but intrigue.    

Instead of exploring wet balconies and roof tops, the bad weather encouraged a closer look at Gray’s surprising interiors, furniture and artwork – Photos: Lorraine King, AIA and Michael Lischer, FAIA

Instead of exploring wet balconies and roof tops, the bad weather encouraged a closer look at Gray’s surprising interiors, furniture and artwork – Photos: Lorraine King, AIA and Michael Lischer, FAIA

A ray of sunshine got through for Corbusier’s colorful holiday cottages – Photo: Michael Lischer, FAIA

A ray of sunshine got through for Corbusier’s colorful holiday cottages – Photo: Michael Lischer, FAIA

As brilliant weather returned for the second day, the conference progressed to three extraordinary gardens of the Riviera – the Val Rahmeh Botanical Garden and the Serre de las Madone Gardens (landscape architect Laurence Johnston) both in Menton and the Hanbury Gardens across the border in Italy.  

The third day saw the departure from Menton and took the group to two further treasurers.  The Matisse Chapel was an unexpected delight – a little space of pure joy and light. The Fondation Maeght (architect Josep Louis Sert) housed an extensive modern art collection, but its prime charm was the building itself it its garden setting, including the renowned Labyrinth of Miró.

The Fondation Maeght and Labyrinth of Miró at– Photos: Lorraine King, AIA and Michael Lischer, FAIA

The Fondation Maeght and Labyrinth of Miró at– Photos: Lorraine King, AIA and Michael Lischer, FAIA

The list of personalities influencing the venues was long and strong – Architects Eileen Gray , Le Corbusier and Josep Louis Sert; English gardeners Sir Thomas Hanbury and Laurence Johnston; French artists and designers Jean Cocteau, Joan Miró and Henri Matisse – and gave the conference a feel for cultural as well as architectural treasures.

The Menton conference was organized by CE members Isabel Meinecke, Int’l Assoc AIA, and Ray Spano, AIA, with assistance from several other CE members.  There were 16-17 CEUs on offer, including 4-6 HSW units, enjoyed by the 5 AIA UK attendees.

The next CE Conference will be held in Prague, Czech Republic, 5 – 9 October 2017.  This conference will be a larger event held in conjunction with the International Region and attendance is expected to reach capacity early.  If you are interested in attending, you are advised to register as early as possible to avoid disappointment.

Written by: Lorraine King, AIA

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